Maria Pask, Deja Vu, 2010, courtesy of the artist

Hedwig Houben, Personal Matters and Matters of Fact, 2012, courtesy of the artist

Hedwig Houben, Personal Matters and Matters of Fact, 2012, courtesy of the artist

Maria Pask, courtesy of the artist

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Maria Pask and Hedwig Houben at Aspect Ratio in Chicago, IL

Aspect Ratio
119 North Peoria Street, Chicago, IL 60607, USA

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From December 13, 2013 until January 25, 2014 Aspect/Ratio is pleased to present "The Dutch Don’t Dance", an exhibition with video work by Maria Pask and Hedwig Houben who both live and work in the Netherlands and will have their first show in Chicago. Curated by Kirsten Leenaars and Jeroen Nelemans. Opening reception: Friday, December 13, 2013, 5-9pm.

The work presented in the show “The Dutch Don’t Dance” counters a Calvinistic way of thinking, pushing the paradoxical doctrine: don’t stand out; acting normal is already quite crazy enough. Dutch social interactions often revolve around a gathering consensus on the definition of a given situation or opinion. ‘Standing out’, or disruptions tend to be avoided. Artists Maria Pask and Hedwig Houben throw the nature of these social situations and cultural conventions into doubt. Both artists place interruptions into the everyday and anticipate its potential for absurdity, between the established relationships between artists and their works, and between the performer and the audience and what is expected. Various forms of performance, theater, and documentary strategies make up the threads that run through the work of both artists. Each working with a keen and somewhat dry sense of humor.

“The Dutch Don’t Dance, The Dutch Don’t Dance, There are a few who do, Just a few and if they do, It gets too much for the other Dutch...” (Annie M.G. Schmidt, from the musical: Foxtrot).

About Maria Pask

Maria Pask (born Cardiff (ENG), 1969) is an Amsterdam-based artist whose performance and installation works interpret the nature of collective creativity, empowerment and the live moment. Working with open formats and social structures, her works have been described as a “cocktail of social commentary, political doctrine, ecological soundings, philosophy, feminism, body politics and religion” (Michael Stanley). She has performed and exhibited internationally at, among others, Museum of Modern Art, Oxford; Athens Biennale, Greece; White Columns, New York City; W139, Amsterdam; Mùˆnster Sculpture Project, Germany; If I Can’t Dance I Don’t Want to Be Part of Your Revolution, Amsterdam; Frankfurter Kunstverein, Germany; BAK, Utrecht; De Appel, Amsterdam and Moderna Galerija, Ljubljana. She is represented by Ellen de Bruijne Projects, Amsterdam

About Hedwig Houben

The work of Hedwig Houben (born, Boxtel (NL), 1983) can perhaps best be defined as linguistic performance, in which she maps out the artistic process and questions her own position as an artist. In her work Houben unravels - both on a personal and an art historical level – the creative process and search for meaning in the production of art: the autonomy of the artwork, artistic presentation, authenticity, values and the real, slowly unfold in a confusing and at times ridiculous word game. She has performed and exhibited internationally at, among others, La Loge, Brussels (BE), De Vleeshal, Middelburg (NL), Eugene Beaudouin space, Paris (FR), CentrePasquArt, Bienne (CH), John Hansard Gallery, Southampton (EN), Witte de With, Rotterdam (NL). She is represented by Fons Welters Galerie, Amsterdam.

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