From March 18 to June 17, a selection of Iwan Baan‘s work will be featured in “Image Building: How Photography Transforms Architecture” at the Parrish Art Museum.
How Photography Transforms Architecture
Image Building: How Photography Transforms Architecture is a comprehensive survey that explores the dynamic relationship between architecture, photography, and the viewer. Seen through the lens of historical and architectural photographers from the 1930s to the present, Image Building offers a nuanced perspective on how photographs affect our understanding of the built environment and our social and personal identities. The exhibition features 57 images that explore the social, psychological, and conceptual implications of architecture through the subjective interpretation of those who captured it.
Organized thematically into Cityscapes, Domestic Spaces, and Public Places, the exhibition examines the relationship between contemporary and historical approaches to photographing buildings in urban, suburban, and rural environments, looking at influences, similarities, and differences. By juxtaposing these photographs, Image Building creates a dialogue between the past and present, revealing the ways photography shapes and frames the perception of architecture, and how that perception is transformed over time.
Iwan Baan is known primarily for images that narrate the life and interactions that occur within architecture. Born in 1975, Iwan grew up outside Amsterdam, studied at the Royal Academy of Art in The Hague and worked in publishing and documentary photography in New York and Europe.
With his combined passion for documentary and space, Baan’s photographs reveal our innate ability to re-appropriate our available objects and materials, in order to find a place we can call our own. Examples of this can be seen in his work on informal communities where vernacular architecture and placemaking serve as examples of human ingenuity, such as his images of the Torre David in Caracas – a series that won Baan the Golden Lion for Best Installation at the 2012 Venice Architecture Biennale.
With no formal training in architecture, his perspective mirrors the questions and perspectives of the everyday individuals who give meaning and context to the architecture and spaces that surround us, and this artistic approach has given matters of architecture an approachable and accessible voice.