The Crocker Art Museum presents “Country, City and Sea: Dutch Romantic and Hague School Paintings from the Beekhuis Gift,” an exhibition of 50 works that highlight the techniques of distinguished 19th-century artists whose paintings sought to portray the Netherlands’ distinct culture in bucolic pasturelands, bustling city views, and scenes of merchant ships.
A restrained Romanticism, inspired by the virtuosity and subject matter of the Dutch Golden Age, gave way in the 1860s to a direct, tonal style that was nature-based and favored by the Hague School. Jacob Maris, Hendrik Mesdag, and Jozef Israels, all admired by Vincent van Gogh, are just a few of the artists represented in the exhibition.
“The paintings in this exhibition represent a selection from this important American collection and complement the Crocker’s renowned holdings of German and Austrian art of the same period,” says the Museum’s Executive Director and CEO, Lial A. Jones. “We are grateful to the Beekhuis Family Foundation for this and earlier gifts. Jan and Mary Ann were consummate collectors and we are eager to share their eye with the public so they may have the opportunity to discover the masterworks that have recently entered the Crocker’s collection.”
In the 19th-century Netherlands, painters took inspiration from the lively artistic world of Rembrandt two centuries earlier. As the country sought a national culture after 50 years of upheaval (beginning with the French invasion of 1795 and ending with peace with Belgium in 1839), artists sought to emphasize the emotive qualities of Dutch life and lands.
Perhaps the most famous of these artists was Hendrik Mesdag, a marine painter enchanted by the Hague’s seaside district of Scheveningen, identified here by the SCH on the sails of the boat (fig. 3). Attentive to detail, Mesdag depicts an everyday scene with a fishing boat drawn up on shore to unload the day’s catch, while women gather on the shoreline to inspect the merchandise. From the left foreground, the tracks of the cart furrow the sand all the way to the side of the boat where it awaits its haul. Mesdag’s restricted palette is shared by Jacob Maris’s city scene (fig. 4). The canal, the houses that line it, and the canal boat at left are all depicted in shades of brown and gray. Passersby and workmen crossing the central bridge are shown with just a few strokes of the brush, while the river and distant buildings are nearly abstract.
These works and many others were collected by the late Jan Beekhuis and his wife, Mary Ann. Jan was born to a Dutch family in South Africa and grew up in a cultured household adorned with 19th-century Dutch paintings. Once he had the means to continue this interest, he collected Asian, pre-Colombian, and African art before specializing in the Dutch paintings he had known as a youth. Trained in medicine in Pretoria, he came to the United States and eventually became chairman of the Department of Otolaryngology at Wayne State University. In addition to contributing to the formation of the collection, Mary Ann, also trained as a frame restorer for its care, preserved it intact after Jan’s death.
The paintings in the exhibition account for some 25 percent of the more than 200 works given by the Beekhuis Foundation, established by the couple in 2000. Their first major gift to the Crocker of 65 19th-century Dutch paintings in 2010 established the Beekhuis Family Gallery and provided a fitting counterpoint to the Museum’s collection.
This recent gift of more than 130 paintings includes major canvases by the most renowned artists of Dutch Romanticism and the Hague School, making the Crocker’s one of the largest such collections in the United States and establishing the Museum as a center for the study and collecting of 19th-century Dutch painting.