The exhibition is co-curated by Ruba Katrib, Curator, SculptureCenter, and artist Camille Henrot. This exhibition will inaugurate SculptureCenter’s newly expanded and renovated building.
With play and curiosity, boundaries can be tested. Bumping into objects, pushing them over, hopping over figments, falling down, we are clumsy and mischievous, like children in a world of new technologies. Incorporating a sense of wonder and humor, concepts surrounding animation and cartooning are expanded into an exhibition that enacts a similar sort of hysteria around flatness and depth in relation to technologies, real and illusory spaces—physical, virtual, internal, and external.
Thinking through early 20th century cartoons, the kaleidoscopic drawings of Saul Steinberg, the innovative and self-reflexive film Who Framed Roger Rabbit, and other children’s entertainment, the exhibition explores the coexistence of disparate elements within shared spaces. Gags betray complex meanings and sociopolitical satire, and unrelated objects, locales, and avatars interact in the same dimension. The works on view transcend the categories that separate drawing from sculpture, the human from the nonhuman, and the animated from the static, while experiences of technological devices and flatness lead to fantastic and absurd implications for objects and space. As screens, passageways, and shadows populate both physical and virtual realms, we question whether they are reflections or traces of the objective world, obstructions, fantasies, or entryways into other realms.
Many of the artists are producing new works for the exhibition: Camille Blatrix has created a singing mailbox that waits for an important letter to arrive, and once it does, you have to find the key to read it; Allison Katz opens a new dimension through a site-specific painting incorporating the architecture of the exhibition space; Chadwick Rantanen tempts gravity through a series of suspended objects; and Marlie Mul superimposes images of band-aids onto the surrounding environment.
The exhibition will also present Keiichi Tanaami’s sculptures for the first time in the United States, as well as bring Saul Steinberg’s prescient and influential drawings into a group exhibition of contemporary art. Coinciding with Steinberg’s centennial anniversary,Puddle, pothole, portal, considers the artist as an early figure who envisioned virtual realities, and created complex images that juxtapose unlikely characters into new worlds—often sharing them through the printed page, to the amusement and puzzlement of mass audiences.