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Louis Andriessen’s “De Staat” To Be Performed At 30th Anniversary Marathon

May 6, “De Staat” by composer Louis Andriessen will be performed at Brooklyn Museum

Sat, May 6 - Sat, May 6  2017

Brooklyn Museum

May 6 at 6PM, Louis Andriessen‘s “De Staat” (“The Republic”) will be performed by Oberlin Contemporary Music Ensemble during the 2017 30th Anniversary Bang on a Can Marathon at the Brooklyn Museum. “De Staat” is a hard-driving Platonic masterpiece, written as a commentary on the debate about the relation of music to politics. 

The event will be FREE OF CHARGE after 5PM. 

About Bang on a Can Marathon

In our 30th year, Bang on a Can is committed more than ever to an increasing and inclusive worldwide community dedicated to innovation through music – a world where ideas flow freely across boundaries whether they are musical, geographical, spiritual. 

To celebrate 30 in style, Bang on a Can comes to Brooklyn with its annual incomparable super-mix of boundary-busting music from around the corner and around the world! The 2017 Bang on a Can Marathon will feature 8 hours of rare performances by some of the most innovative musicians of our time side-by-side with some of today’s most pioneering young artists.

About Louis Andriessen 

Louis Andriessen is widely regarded as the leading composer working in the Netherlands today and is a central figure in the international new music scene. From a background of jazz and avant-garde composition, Andriessen has evolved a style employing elemental harmonic, melodic, and rhythmic materials, heard in totally distinctive instrumentation. His acknowledged admiration for Stravinsky is illustrated by a parallel vigor, clarity of expression, and acute ear for color. The range of Andriessen’s inspiration is wide, from the music of Charles Ives in “Anachronie I,” the art of Mondriaan in “De Stijl,” and medieval poetic visions in “Hadewijch,” to writings on shipbuilding and atomic theory in “De Materie.” He has tackled complex creative issues, exploring the relation between music and politics in “De Staat,” the nature of time and velocity in “De Tijd” and “De Snelheid,” and questions of mortality in “Trilogy of the Last Day.” 
Andriessen held the Richard and Barbara Debs Composer’s Chair at Carnegie Hall and was awarded the Composer of the Year Award by Musical America in 2010

DutchCulture USA