After her European winter trip singer-songwriter Vivienne Aerts will be back in the city to play her original songs in Rockwood Music Hall, on Sunday, January 28th. Using her voice, loops, iPad apps touching and catchy lyrics and a synthesizer she creates a full orchestra by herself, resulting in an ever-changing and newly improvised piece. This time with Marius van den Brink on piano. Vivienne Aerts is barely categorizable in genre or style. She plays in band formation, duo, solo, supplemented with synthesizer, loop station, and effects. she surprises, challenges and tells stories. Her lyrics travel to the core of recognition; talk to the soul and open a barrel of emotions. Heartbreaking, singing of happiness, sometimes humorous, she tells about the things that make life beautiful.
Originally from the Netherlands, vocalist, and songstress, Vivienne Aerts is barely categorizable in genre or style. She plays in band formation, duo, solo, supplemented with synthesizer, loop station and effects. Vivienne surprises challenges and tells stories. Her lyrics travel to the core of recognition; talk to the soul and open a barrel of emotions. Heartbreaking, singing of happiness, sometimes humorous, she tells about the things that make life beautiful.
To get where she is right now, she started – simultaneously with a study in psychology – a study in choral conducting and jazz singing at the conservatory. For over six years she conducted seven different choirs in different genres, until Umbria Jazz ’07, in Italy where she won an award to go to Berklee College of Music, which changed her career into an international one. Because of this, she was even mentioned in the Jazz history of Leiden – book as the ‘future vocalist of Jazz’. Four years later, 2011, with a Fulbright and several other scholarships, she moved to Boston to study Jazz Performance at this prestigious college of Music. The following three years she worked with jazz heroes like Danilo Perez, Joe Lovano, John Patitucci, Ed Saindon, Joanne Brackeen and Jetro Da Silva.
Already in 2009, Vivienne produced her first album, ‘Roofgarden’. And, during her studies at Berklee, she released her second album: ‘Polaroid’ (2012). This album was recorded in the Netherlands, in a small studio in Leiden. Here she recorded together with Australian producer Geoff Baker, and she came out with a magnificent album. Vivienne let her voice and only her voice speak, completely a cappella, sometimes dubbing over forty voices. Vivienne presents six of her own compositions and a new foundation for numerous concerts and collaborations was laid.
Two years after Polaroid, soon after graduating Cum Laude and high-fiving Jimmy Page at the graduation ceremony, she met jazz-icon and pianist Kenny Werner when he became the artistic director of the Berklee ‘Effortless Mastery Institute’. This institute focusses on principles put forth in his book Effortless Mastery, and helps students reclaim their inner voice and their connection to music allowing them to perform at the highest level. Vivienne is currently working as a visiting artist for the institute and plays a significant role in the development of this program.
In the last few years, Vivienne performed with ECM pianist Florian Weber and jazz icon Lee Konitz, who played with the Miles Davis Birth Of The Cool quintet. That same year she went on tour with guitarist Joe Cohn, son of late Al Cohn that we know from the arrangement of the song Georgia, by Ray Charles. And she made an appearance by speaking and performing at the Fulbright TEDx in Washington and at the Maurits Huis The Hague for the Royal Dutch Queen.
The future brings a turbulence of great size; Living in New York City, The City That Never Sleeps. In August 2015, she had her debut in the famous Blue Note Jazz Club when she was invited to sing multiple days as a special guest with Kenny Werners Quintet including multi-Grammy Award winner John Patitucci, Ambrose Akinmusire, Chris Potter and Marcus Gilmore.
Recently, ChocoJazz, a new project with her husband Ted – who is an haute cuisine pastry chef, is on the verge of redefining what free jazz, food, and interdisciplinary art can be. The live performances are made to listen to, watch and taste, making the audience part of the art. This project has gotten a lot of international attention ever since the first project was created. No doubt that Vivienne will submerge in the world of jazz and there are endless possibilities for the next chapter of her story. For now, she will be working on the next step; new sounds and a new album with the best musicians in the Capital of The World.